Download
But, what's your matter not too loved reading It is an excellent activity that will constantly provide excellent benefits. Why you come to be so strange of it? Lots of things can be practical why individuals do not prefer to review It can be the dull activities, the book compilations to review, also lazy to bring spaces all over. Now, for this , you will certainly begin to enjoy reading. Why? Do you recognize why? Read this web page by finished.
Download
Do you assume that is a good book? Yes, we believe so, looking as well as understanding who the author of this publication; we will definitely recognize that it is a great publication to review whenever. The author of this book is preferred in this subject. When someone needs the reference from the subject, they will certainly seek for the information and information from guides written by this writer.
That's a very common condition. To overcome this includes, exactly what should do? Reading a publication? Definitely? Why not? Publication is just one of the sources that lots of people depend on of it. Even it will depend on guide kind as well as title, or the author; books always have positive thoughts and minds. is among the choices for you making you looking forward for your life. As recognized, checking out will lead you for a better means. The way that you take naturally will be analogously with your situation.
When you have such certain requirement that you should understand and recognize, you could begin by checking out the listings of the ceramic tile. Now, we will welcome you to understand even more concerning that we also give toy you for making and also getting the lessons. It includes the simple ways as well as simple languages that the author has written. Guide is also presented for all individuals elements and areas. You might not really feel tough to know what exactly the author will tell about.
In fact, we can not require you to review. Yet, by motivating you to read this it could help you to realize something brand-new in your life. It is not pricey, it's extremely affordable. Within that cost effective price, you can obtain many points from this publication. So, are you sill doubt with this boom will give you? Allow make change to make far better your life and all life worldwide.
Product details
File Size: 480 KB
Print Length: 241 pages
Publisher: W. W. Norton & Company; Reprint edition (February 21, 2009)
Publication Date: August 17, 2008
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B001TMCFMY
Text-to-Speech:
Enabled
P.when("jQuery", "a-popover", "ready").execute(function ($, popover) {
var $ttsPopover = $('#ttsPop');
popover.create($ttsPopover, {
"closeButton": "false",
"position": "triggerBottom",
"width": "256",
"popoverLabel": "Text-to-Speech Popover",
"closeButtonLabel": "Text-to-Speech Close Popover",
"content": '
});
});
X-Ray:
Not Enabled
P.when("jQuery", "a-popover", "ready").execute(function ($, popover) {
var $xrayPopover = $('#xrayPop_9F07D20C569D11E9A882ABA550FA2EF7');
popover.create($xrayPopover, {
"closeButton": "false",
"position": "triggerBottom",
"width": "256",
"popoverLabel": "X-Ray Popover ",
"closeButtonLabel": "X-Ray Close Popover",
"content": '
});
});
Word Wise: Not Enabled
Lending: Not Enabled
Screen Reader:
Supported
P.when("jQuery", "a-popover", "ready").execute(function ($, popover) {
var $screenReaderPopover = $('#screenReaderPopover');
popover.create($screenReaderPopover, {
"position": "triggerBottom",
"width": "500",
"content": '
"popoverLabel": "The text of this e-book can be read by popular screen readers. Descriptive text for images (known as “ALT textâ€) can be read using the Kindle for PC app if the publisher has included it. If this e-book contains other types of non-text content (for example, some charts and math equations), that content will not currently be read by screen readers.",
"closeButtonLabel": "Screen Reader Close Popover"
});
});
Enhanced Typesetting:
Enabled
P.when("jQuery", "a-popover", "ready").execute(function ($, popover) {
var $typesettingPopover = $('#typesettingPopover');
popover.create($typesettingPopover, {
"position": "triggerBottom",
"width": "256",
"content": '
"popoverLabel": "Enhanced Typesetting Popover",
"closeButtonLabel": "Enhanced Typesetting Close Popover"
});
});
Amazon Best Sellers Rank:
#178,245 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Susan Bell uses examples from well-known literary works to illustrate the value of editing. This worked well for me. I particularly enjoyed the Great Gatsby examples where she used excerpts from earlier drafts of Fitzgerald's book and contrasts them to the final result. The revelations produced were fascinating and enticing. By revealing the nuances of editing from an editor's perspective, a writer begins to understand the process and the purpose of revision and polish. Bell's focus, though, is on the craft of self-editing. She convinces the reader of the power of that. Many authors see writing as a creative experience. They revel in that and leave the editing to someone else, but delivering a mess to an editor means he will be overwhelmed, possibly choked, and the author will be shocked to see his creation so justifiably desecrated. Bell helps the reader see that the craft of editing is a vital and intrinsic part of the process of writing and a key to a polished, readable, enjoyable piece of literature. It is also a key to a writer's reputation as a master of his profession. I've read a multitude of books on writing and this is one of my favorites.
Susan Bell teaches writers what editors do, hoping this will reduce frustration for both. She hopes that "[t]his book will not eliminate the need for an outside editor, but it will minimize it. When writers learn how to better edit themselves, editors will not be out of jobs; rather they will be working with texts at a more advanced stage, and their work will be less an act of excavation than one of refinement."The book's first chapter teaches writers eleven strategies for gaining perspective on what they have written--and grown overly close to. These strategies range from abstract perspective shifting to physical techniques, such as hanging the pages of a chapter on a clothesline to observe the pattern of text across the pages. The second chapter tells authors how to evaluate their writing at the "macro" level, focusing on organization, structure and the sequence and flow of ideas. The third chapter dives to the micro level, helping writers with subtle language choices in sentence-by-sentence writing. We learn to evaluate writing for its repetition, redundancy, clarity, authenticity, continuity, and other well-chosen principles. Bell's fourth chapter presents several extended case studies of writers and their editors working together. The fifth and final chapter traces the development of editing as a profession, from changes medieval scribes introduced as they copied ancient texts to the uneasy, commercially-constrained partnership between modern writers and their time-starved editors.Foremost among the book's strengths are the frequent before-and-after editing examples and the interviews with writers and editors. Numerous excerpts from F. Scott Fitzgerald's The Great Gatsby and Adam Thorpe's Ulverton reveal the working relationships between these authors and their editors. Interviews placed between chapters convey the essence of artistic evaluation and constructive criticism. The interviews with artists and filmmakers teach us much about editing strategies that apply across creative media. Concrete thinkers who equate editing with proofreading and expect lists of commonly misspelled words will be disappointed. The successful reader must understand and apply Susan Bell's lessons at a more abstract level.Susan Bell has much to say about the ongoing struggle between writers and editors for ownership and control. She advises assertiveness and restraint to both. Writers should look courageously at their work, cutting away the excess verbiage that smothers their very best ideas and language--and should defend these hard-won nuggets. Editors must challenge writers to see what does not work, then empower them to rework without undue editorial micromanaging. "The function of an editor is to be a reader," claims Gardner Botsford, as he introduces the last chapter. Susan Bell insists that "...an editor doesn't just read, he reads well, and reading well is a creative, powerful act." Her book attempts to place an editorial presence in the mind of each writer.This book is highly recommended to writers who want to improve their work and their work process. It is beneficial to writers of both fiction and nonfiction.
I expected something else so it's not the author's fault and I won't penalize her with a bad review. I'm not interested in the nuts and bolts of editing. I'm more interested in the craft of writing. You know; character, plot, setting, high stakes, high concept. This is about correcting others' usage. Not my cup of tea.
I have finished writing a novel (if one can ever be called finished) and am in the process of editing the attempt. I have read several (maybe 8) books on editing and while they were informative, instructive, and mostly correct, they failed to deliver the underlying, the core, of serious editing. This publication takes it to the same level, but in a different direction; an essential direction that should be instinctive but unfortunately is not to many writers. This book holds your hand and delivers the guts that go beyond usage and the proprietary. If you are a serious writer and hope to achieve what it's all about, buy this book. Personally, if I don't succeed as a writer, it certainly won't be this book's fault.
PDF
EPub
Doc
iBooks
rtf
Mobipocket
Kindle
No comments:
Post a Comment