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The Golden Ass (Penguin Classics), by Apuleius
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About the Author
Lucius Apuleius (2nd Century AD) was a North African fubulist who Latinized the Greek myths and legends. He travelled widely, visiting Italy and Asia, where he was initiated into numerous religious mysteries. He drew on the knowledge he gained about the priestly fraternities to write the Golden Ass, which Cupid and Psyche is extracted from. E.J. Kenney is Emeritus Kennedy Professor of Latin in the University of Cambridge. His publications include a critical edition of Ovid's amatory works. He is a Fellow of the British Academy.
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Product details
Series: Penguin Classics
Paperback: 304 pages
Publisher: Penguin Classics; New Ed edition (January 1, 1999)
Language: English
ISBN-10: 0140435905
ISBN-13: 978-0140435900
Product Dimensions:
5.1 x 0.8 x 7.8 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
33 customer reviews
Amazon Best Sellers Rank:
#78,712 in Books (See Top 100 in Books)
It's a shame they don't give this to high-school students in the original language. It would sure make them a whole lot more interested in learning Latin than reading Caesar or Catullus ever could. (I'm guessing that the human-donkey sex scenes--narrated by the donkey--make it a tough sell to local school districts.)Which is too bad, because those scenes AREN'T gratuitous. The whole fast-moving adventure tale is actually a moral and spiritual allegory about the need for Man (and Woman) to transcend his animal, human nature in order to obtain true wisdom and divine Love. (Yes, the pagans--or at least Apuleius--seemed to have a pretty good idea that divine Love was/is,indeed, a "thing.") And the gender-neutrality of the message is reinforced by the inclusion of the Cupid/Psyche story in the middle of our hero's (mis-)adventures. Where Lucius (the human-turned-animal narrator) is male, (the human) Psyche is female; where Lucius learns that he must submit himself to the great goddess (Isis) in order to be saved from his animal fate, Psyche learns that she must submit herself to the punishments of Aphrodite (the goddess of Desire), including a trip to hell, before she can be reunited with Aphrodite's son, the god of Love, and become divine herself. And BOTH of them learn that you cannot gain knowledge of true, divine LOVE until you have a) been kind to others and b) bravely endured suffering first.Highly recommended.
It's a book written between 150 - 180 AD, and it holds up in its own way. For sure a few issues with how things are worded, since it is translated from what I assume would be either ancient Latin and/or Greek depending on where it was first published in ancient Rome. But the story follows an interesting tale of a man cursed with horrible luck until his bad luck ends. The ending is a bit flat, and there is a strange middle break where they go right into another Roman myth about cupid, where the author could have easily summed it up in a few paragraphs, but decided to do a chapter and a half of this secondary tale. Regardless of that, when the story hit it's high points, and there was at least one per chapter, it was very enjoyable. I also think it is funny since this book is an adaption of a Greek play. Just goes to show you that humans are always adapting another media into another media. Several hundred years ago, we did plays to books. Now we do books to movies.
You’ll find inspiration for everything from the transformation of Bottom in Shakespeare’s A Midsummer Nights Dream to the tub of Chaucer’s “The Miller’s Tale†and even the fate of the unfortunate Lampwick in Collodi’s The Adventures of Pinocchio in the chapters of Apuleius’ The Golden Ass. It’s bawdy and beastly (although not as consistently so as some reviews may lead one to believe), imaginative, and unexpectedly romantic in its tale of Cupid and Psyche. And even if the late arrival of Isis plays like the driest deus ex machina—and we’re treated to a healthy helping of didacticism with our oats at the story’s close—The Golden Ass remains indispensable to any scholar seeking to study the evolution of the modern novel. The Penguin edition translated by E. J. Kenney is exemplary—by turns, lyrical and laugh-inducing. Buy it, then kick up your hooves, and enjoy.
Interesting translation... Looks like Old English but I'm not sure. Easy to read, but how some things are translated completely confuses me.
This version has no quotation marks, making it difficult to tell who is saying what.Also, there are no page numbers, just a percentage and inconsistent local numbers. It’s hard to reference something when you don’t know which page it’s on.
thanks
Textbook required for school.
This book is a riveting classic. I couldn't put it down. The language and style is as good today as when it was created, and the pace is well set. However the ending is somewhat anti-climactic.
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